This is not great film-making, but it is great entertainment. The soundtrack is pulsating and explosive and pumps the film up with excitement. It also includes a DTS audio option, which I like better than Dolby Digital 5.1. The DVD is packed with interesting special features about the making of the film. John Goodman provides one of the film's best moments when he gets up on the bar and dances as Violet auctions him off to the screaming women in the crowd. His pleasant demeanor and good looks have many people comparing him with Mel Gibson, although it remains to be seen whether he can handle roles that are more substantial. Australian actor Adam Garcia has great chemistry with Perabo as Violet's love interest. Maria Bello also gives a fabulous performance as Lil, the tough and successful owner of the nightclub. It is likely that this film will be the launch pad for a bright career. Perabo is an excellent actor with tremendous ability and potential. Just like her character Violet, this film is her big break so her ability to understand the character and the role is implicit (another stroke of Bruckheimer genius). She is not simply acting in this film, but living the role. This gives the film a freshness and energy that comes from the cast's exhilaration at just being on the set. Other than John Goodman in a minor role, and supermodel Tyra Banks who hasn't done much acting, most of the actors have extremely short resumes. Bruckheimer defies the conventional Hollywood big budget approach by using an ensemble cast of veritable unknowns and a first time director. Of course, there is a love story to go along with the quest for fame, completing the populist formula. When things don't go as planned, she takes a job as a bartender in a raucous singles bar where the sexy female bartenders dance provocatively on the bar to the shrieks of the rowdy patrons below. Violet Sanford (Piper Perabo) is a young aspiring songwriter who leaves South Amboy, New Jersey traveling to New York City to be discovered. The story is 'Flashdance' lite, and is reminiscent of the popular but vacuous 'Cocktail' with Tom Cruise, only with a decent plot woven in. This film is energetic, entertaining, scintillating and fun to watch. In that regard, 'Coyote Ugly' fits right in. He is more concerned with giving audiences what they want than he is about producing films of any artistic value or substance. He seldom makes a film that isn't profitable and has numerous blockbusters on his resume over the past 30 years (American Gigolo, Flashdance, Beverly Hills Cop, Top Gun, The Rock, Con Air, Armageddon). Producer Jerry Bruckheimer seems to have an innate sense of what makes money in cinema.

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